The foundations can take a long time to prepare in the building process, but no builder worthy of his reputation would stint on this crucial stage. Piano pedagogue Graham Fitch points out that when an architect or engineer designs a building, he gives as much consideration to the parts you do not see, especially the foundations, as to the visible edifice. Instead, we must take one step at a time and take enjoyment in mastering the elements that make up the whole." It takes discipline and patience to deny ourselves the immediate gratification of playing through the piece over and over (which actually produces a tremendous amount of damage to future precision and accuracy). And no one is going to be there to stop us. So we want to speed up the process, skip steps, and jump right into playing the piece. We want to play music, and we want to play it now. Learn the two most fundamental practice tools.Īllen Matthews of writes, "We want to play music.Learn the importance of learning small elements first.Figure out where in the piece to start practicing.We learned practice strategies to master small elements, including "The 10 Levels of Misery," which ensures we don't practice mistakes.We learned why it is so vital NEVER to practice mistakes and the neuroscience behind it.We learned how to make a game plan for practicing our new piece.We learned that it is important to study and analyze our score(s).We learned that it is essential to listen to dozens of recordings and watch dozens of videos to hear the big picture as we learn a new piece.We learned to choose reliable editions of the piece we are going to learn.In Part 1, we laid the groundwork for learning a new song: NOTE: You can click the navigation links on the left (not visible on phones) to review specific topics or videos. *Estimated minimum time to read the article, watch the videos, and understand the musical examples: 1 1/2 to 2 hours. *Estimated minimum time to read this article and watch the videos: 1 hour. This article may be reprinted, but please be considerate and give credit to Douglas Niedt. This is a blank placeholder this is a blank placeholderĬopyright Douglas Niedt. 9 (Fernando Sor), m38-39, The Slow-Yet-Fast Practice Method Video #14: Variations on a Theme by Mozart, op.119 (Mauro Giuliani), m93-94, The Slow-Yet-Fast Practice Method Video #12: Romance (Anonymous), m20-21, Conventional Slow Practice.Slow Practice Strategy #2: The Conventional Slow Practice Method.Video #11: Adelita (Francisco Tárrega), m1-2, Ultra-Slow Practice.Slow-Practice Strategy #1: The Ultra-Slow Practice Method.
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